What: Solo exhibition "The Kandinsky Collective" curated by Janez Janša
Where: Aksioma – Institute for Contemporary Art, Ljubljana, Slovenia
The Kandinsky Collective uses speculative fiction as a strategy to shed light on the discourse that surrounds my analog steganography research; privacy, surveillance and the instrumentalisation of art and graphic design in media activism. Departing from the rumour that during WWII the artist Wassily Kandinksy was recruited by the British Intelligence to smuggle secret communication by encoding it into his abstract, systematic and symbolic artworks, The Kandinsky Collective exhibition explores the subversive potential of using the formal language of art as a means to embed hidden messages. Set in the near future when privacy has become a crime, the exhibition is in fact a staged exhibition of privacy activists posing as a contemporary art collective, where they co-opt abstract art as a cover to form an underground communication channel.
Along side the exhibition, an artist talk was given at Academy of Fine Arts and Design of the University of Ljubljana. Furthermore, as a part of the Aksioma brochure series, Florian Cramer wrote an introductory essay on steganography in relation to my work titled Hiding in Plain Sight.
Slovenian press reviews written by Jela Krečič for Delo, Maja Šučur for Dnevnik.si, Mojca Kumerdej for Delo Saturday Supplement (for English translation visit here) and appearance on Slovenia national news, RTV4.
Photos by Janez Janša and Jure.
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